Saturday, September 22, 2012
Tuesday, September 18, 2012
To announce my new blog I sent certain people--the privileged few--an email with the subject line "I blog, therefore I am," to which Russ Eplett replied:
I
blog, therefore I am. Translated to Ciceronian or Caesarian Latin this,
of course, becomes – Bloggo ergo sum – as "seize the blog" becomes carpe
bloggo – and "I came, I saw, I blogged" becomes – veni, vidi, Bloggi. Of
course, there is Caesar’s now famous commentaries on the Gallic Blog
that opens with "Omnia Bloggia in Partes tres divisa est." (All blogs
are divided into three parts). Latin is so revealing!
Russ, non sum dignus!
Sunday, September 16, 2012
The project I plan to pursue for my ENG C625 course is to help someone who I believe has had a very interesting life tell her story, as either a biographical work or an assisted memoir. This is an idea I've had for quite some time, and am grateful for this impetus to pursue it now.
For this week, we are to lay some groundwork for our project. I don't know if these qualify as research questions, but they are issues I've wrestled with while determining whether to pursue this project:
> How do we decide whether a person's life story is "worthy" of being told?
> Who deems whether or not a life is "interesting enough" to record?
> Must a writing project necessarily be potentially publishable or of commercial interest in order to be pursued?
> Will readers only care about a person's story if he/she a celebrity, or can the uniqueness of a life generate others' interest?
> How can I best help my friend elucidate her story while keeping the writing uniquely mine?
> Will this in-depth ethnography stand alone with its qualitative aspect? In such a project where might I find quantitative aspects? (Perhaps the latter will come from accompanying genealogical research.)
For this week, we are to lay some groundwork for our project. I don't know if these qualify as research questions, but they are issues I've wrestled with while determining whether to pursue this project:
> How do we decide whether a person's life story is "worthy" of being told?
> Who deems whether or not a life is "interesting enough" to record?
> Must a writing project necessarily be potentially publishable or of commercial interest in order to be pursued?
> Will readers only care about a person's story if he/she a celebrity, or can the uniqueness of a life generate others' interest?
> How can I best help my friend elucidate her story while keeping the writing uniquely mine?
> Will this in-depth ethnography stand alone with its qualitative aspect? In such a project where might I find quantitative aspects? (Perhaps the latter will come from accompanying genealogical research.)
I dozed repeatedly during the 3rd quarter of Colts/Vikings today. A Sunday afternoon football game snooze would not be remarkable, but for the fact that I was AT the game. Yesiree, high up in section 637 of the engineering marvel that is Lucas Oil Stadium, in a hard seat, in person at a live NFL game for only the second time in my life, and I kept nodding off.
I was rudely awakened at one point when a groan moved through the crowd like the wave--not a reaction to something that happened on the field, but nearby patrons commiserating with the guy who tripped while coming back up the stairs with a beer in each hand. At $7.50 a pop, they were very sympathetic. Only one person asked if he was okay, the rest were counting how few drops he spilled and congratulating him on a remarkable save.
I was rudely awakened at one point when a groan moved through the crowd like the wave--not a reaction to something that happened on the field, but nearby patrons commiserating with the guy who tripped while coming back up the stairs with a beer in each hand. At $7.50 a pop, they were very sympathetic. Only one person asked if he was okay, the rest were counting how few drops he spilled and congratulating him on a remarkable save.
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